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Glen Manor House in Rhode Island, is an example of French Provincial Architecture. French provincial architecture also known as French Eclectic architecture include Manor houses or chateaux homes which were built by French aristocrats beginning in the 1600s. The homes are characterized by arched doorways and symmetrically placed elements.
The end of the 19th century saw a profound shift in North American Architecture. Architects educated at the École des Beaux-Arts in Paris, such as Richard Morris Hunt and Charles Follen McKim were responsible for bringing the beaux-arts approach back from Europe, which was said to be the cornerstone of eclectic architecture in North America. [3]
Building no. 45 on Rue de Courcelles in Paris, unknown architect, unknown date, an example of 19th century architecture that can be called "Eclectic" due to the fact that it uses elements from multiple Classicist styles, like the French Baroque and the Louis XVI style
Second Empire style, also known as the Napoleon III style, is a highly eclectic style of architecture and decorative arts originating in the Second French Empire. It was characterized by elements of many different historical styles, and also made innovative use of modern materials, such as iron frameworks and glass skylights.
French Creole architecture is an American Colonial style that developed in the early 18th century in the Mississippi Valley, especially in Louisiana. French Creole buildings borrow traditions from France, the Caribbean, and many other parts of the world such as Spanish, African, Native American, and other heritages. French Creole homes from the ...
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The city of Paris has notable examples of architecture from the Middle Ages to the 21st century. It was the birthplace of the Gothic style, and has important monuments of the French Renaissance, Classical revival, the Flamboyant style of the reign of Napoleon III, the Belle Époque, and the Art Nouveau style.
The style of architecture and design under King Louis Philippe I (1830–1848) was a more eclectic development of French neoclassicism, incorporating elements of neo-Gothic and other styles. It was the first French decorative style imposed not by royalty, but by the tastes of the growing French upper class.