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Huadian (traditional Chinese: 花鈿; simplified Chinese: 花钿), also known as huazi (Chinese: 花子; lit. 'Little flower'), [1] mianhua (Chinese: 面花), meizi (Chinese: 媚子), [2] plum blossom makeup [3] or plum makeup [4] (Chinese: 梅花妝; pinyin: méihuāzhuāng or Chinese: 落梅妝; pinyin: luòméizhuāng) or Shouyang makeup [3] (Chinese: 壽陽妝), is a form of traditional ...
The Jing (simplified Chinese: 净; traditional Chinese: 淨) is a role type in Chinese opera for "rough" or "mighty" male characters. [citation needed] In many genres (such as Peking opera and Cantonese opera), this role requires heavy face painting. As a result, it is also known as Hualian ("Painted face").
Bian Lian (traditional Chinese: 變臉; simplified Chinese: 变脸; pinyin: Biàn Liǎn; lit. 'Face-Changing') is an ancient Chinese dramatic art that is part of the more general Sichuan opera. Performers wear brightly colored costumes and move to quick, dramatic music.
Traditional painting can also be done on album sheets, walls, lacquerware, folding screens, and other media. The two main techniques in Chinese painting are: Gongbi (工筆), meaning "meticulous", uses highly detailed brushstrokes that delimit details very precisely. It is often highly colored and usually depicts figural or narrative subjects.
Chou characters wear special face paint, called xiaohualian, that differs from that of Jing characters. The defining characteristic of this type of face paint is a small patch of white chalk around the nose. This can represent either a mean and secretive nature or a quick wit.
Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours, but more so than gouache. The high glue content makes the pigment bind better to Chinese paper and silk as well as enabling works of art to survive the wet-mounting process of Chinese hanging scroll mountings without smudging or bleeding.
Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).
The Water and Land Ritual paintings (水陆画) are a style of traditional Chinese painting based on religious or Chinese mythological subjects. The paintings are mainly intricate portraits of deities, historical figures, and the contrasting lives of common people and tragedies, in an ornate style with rich use of vivid colors and patterns. The ...
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3579 S High St, Columbus, OH · Directions · (614) 409-0683