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Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
See also: Japanese art, Japanese culture, Zen, Japanese values. Pages in category "Japanese aesthetics" The following 34 pages are in this category, out of 34 total.
[19] This is the book that first introduced the term "wabi-sabi" into Western aesthetic discourse. Wabi-sabi concepts historically had extreme importance in the development of Western studio pottery; Bernard Leach (1887–1979) was deeply influenced by Japanese aesthetics and techniques, which is evident in his foundational book A Potter's Book.
Shibui (渋い) (adjective), shibumi (渋み) (subjective noun), or shibusa (渋さ) (objective noun) are Japanese words that refer to a particular aesthetic of simple, subtle, and unobtrusive beauty. [1] Like other Japanese aesthetics terms, such as iki and wabi-sabi, shibui can apply to a wide variety of subjects, not just art or fashion. [2]
Japanese female beauty practices and ideals are a cultural set of standards in relevance to human physical appearance and aesthetics. Distinctive features of Japanese aesthetics have the following qualities: simplicity, elegance, suggestion, and symbolism. [ 1 ]
The term iki is commonly used in both conversation and writing, having had a lasting effect on the development and continuation of Japanese aesthetics in the modern day, despite not necessarily being considered exclusive of other categories of Japanese aesthetic concepts and ideals, such as wabi-sabi.
The Kawaii concept has become something of a global phenomenon. The aesthetic cuteness of Japan is very appealing to people globally. Things like Sanrio, Pusheen, Gudetama and more are some popular kawaii things. The wide popularity of Japanese kawaii is often credited with it being "culturally odorless".
Emptiness is an important aesthetic principle in Japanese art and is also linked to the Zen Buddhism philosophy of presence and awareness. Minimalism is a prominent aspect of Japanese aesthetics, focusing on reducing to the essentials and simplifying, which can be seen in Japanese architecture, design, and art.