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Jewelry becomes omnipresent during the Hellenistic period. It becomes unisex and is worn by people whether they are naked or dressed. In images, women were often represented with only slippers and a torque or necklace. The heavy necklaces of the classical era are now replaced by strands of beads and torques.
The Usekh or Wesekh is a personal ornament, a type of broad collar or necklace, familiar to many because of its presence in images of the ancient Egyptian elite. Deities, women, and men were depicted wearing this jewelry. One example can be seen on the famous gold mask of Tutankhamun.
The treasure comprised 2 kilograms of gold ornaments; a helmet, necklace, appliqués, harness, and buttons for vestments. They were ceremonial ensemble for kings or noblemen and their horses. [94] The bracelets and necklace terminate with protomes of horse heads and exhibit strong Thracian roots. [95]
Some rare examples of etched carnelian beads, have been found in archaeological excavations in ancient Greece, pointing to ancient trade relations with Mesopotamia and the Indus Valley civilization. One such object is visible in the Archaeological Museum of Aegina , the westernmost known occurrence of this type of objects.
From the Hellenistic period (300-30 BC), the gold wreath is thought to belong to Meda, the Thracian princess and fifth wife of Philip II of Macedon. [2] Which was theorized by Greek archaeologist Manolis Andronikos, whom excavated the tomb of Philip II, father of Alexander the Great in 1977. This theory today is still in debate on whether this ...
Fortunato Pio Castellani (1794–1865) is regarded as the forefather of the family. In 1814, Fortunato opened his own workshop in Rome. The progenitor specialized in the creation of jewels emulating the ones that then came to light from the necropolis of Etruria, that were found in the excavations of Pompeii and Herculaneum or that could be observed in the Campana collection.
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