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The fretboard and 10 strings of a bajo quinto. The bajo sexto is a member of the guitar family, and physically looks like a cross between a 12-string guitar and a cello because of its size. However, there are important differences: The body is usually a bit deeper; the neck is shorter, joining the body at the 12th fret (modern 12-string guitars ...
The Bajo quinto (Spanish: "fifth bass") is a Mexican string instrument from the guitar family with 10 strings in five double courses. [1]It is played in a similar manner to the guitar, with the left hand changing the pitch with the frets on a fingerboard while the right hand plucks or strums the strings with or without a pick. [1]
Many configurations have been produced, but the ten-string classical guitar received a particular boost [1] in 1964, when Narciso Yepes performed the Concierto de Aranjuez with the Berlin Philharmonic Orchestra [2], using a ten-string guitar invented by Yepes in collaboration with José Ramírez III, with a specific tuning designed to supply ...
A vintage Takamine 12-string with a requinto style set-up. The Mexican twelve-string guitar, also known as a requinto-style or Sierreño-style guitar, is a modified twelve-string guitar. It can approximate the sound of a bajo sexto or bajo quinto and play regional Mexican styles, such as norteño, Tejano (Tex-Mex), and conjunto (música ...
They all preferred the ten-string guitar." Yepes then sought the opinion of his former teacher, Nadia Boulanger. After playing the ten-string guitar for her, Yepes recalled that, "She noticed that my playing on my new guitar had more resonance, and this is important, she noticed that I could stop the resonance with my hands if I wanted to. She ...
A Mexican guitarrón player in a traditional Mariachi uniform. The guitarrón mexicano (Spanish for "big Mexican guitar", the suffix -ón being a Spanish augmentative) or Mexican guitarrón is a very large, deep-bodied Mexican six-string acoustic bass guitar played traditionally in Mariachi groups.
Lydia Mendoza (May 31, 1916 – December 20, 2007) was a Mexican-American guitarist and singer of Tejano and traditional Mexican-American music. Historian Michael Joseph Corcoran has stated that she was "The Mother of Tejano Music", an art form that is the uniquely Texas cultural amalgamation of traditional Mexican, Spanish, German, and Czech musical roots.
The word cuatro was used to represent the number of strings that the instrument initially had, but a 10 stringed, 5 course cuatro was made in 1887, as shown in a photograph taken in 1916. By 1922, cuatro music was being played on Puerto Rican radio stations, like "Los Jíbaros de la Radio" (1932) and "Industrias Nativas" (1934).