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An episode of the British television crime series Endeavour (2018) depicts a series of murders inspired by Artemisia's biblical paintings of women taking vengeance on the men who harmed or abused them. [61] Artemisia was the subject of a 2015 BBC documentary, Michael Palin's Quest for Artemisia. [77]
Garrard, Mary D., Angouissola and the Problem of the Woman Artist, Renaissance Quarterly 24, 1994. Zwanger, Meryl, Women and Art in the Renaissance, in: Sister, Columbia University 1995/6. Judith Brown. Gender and Society in Renaissance Italy (Women And Men In History). 1998; Letizia Panizza, Women in Italian Renaissance Culture and Society.
The account of the beheading of Holofernes by Judith is given in the deuterocanonical Book of Judith, and is the subject of many paintings and sculptures from the Renaissance and Baroque periods. In the story, Judith, a beautiful widow, is able to enter the tent of Holofernes because of his desire for her.
The Renaissance had a long-standing history of portraying Judith. [7] Many artists believed that the heroine Judith held many different qualities like chastity and humility. [7] Lucas Cranach the Elder painted a very straightforward version of Judith now known as Judith with the Head of Holofernes. [7]
Venus standing in her arch.. The painting features six female figures and two male, along with a cupid, in an orange grove. The movement of the composition is from right to left, so following that direction the standard identification of the figures is as follows: At the far right, "Zephyrus, the biting wind of March, kidnaps and possesses the nymph Chloris, whom he later marries and ...
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
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