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Much lyric poetry depends on regular meter based either on syllable or on stress – two short syllables or one long syllable typically counting as equivalent – which is required for song lyrics in order to match lyrics with interchangeable tunes that followed a standard pattern of rhythm. Although much modern lyric poetry is no longer song ...
Following the identification of a word comes the understanding of meaning, and which meaning the word is intending in the context of the song. If a lyric is not properly set, a word might be mistaken for a different word, or be completely unidentified. Songs are constantly moving forward, so there is little time for the listener to decipher words.
A mondegreen (/ ˈ m ɒ n d ɪ ˌ ɡ r iː n / ⓘ) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning. [1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.
The song is set to the melody of "Lauriger Horatius" [2] — the same tune "O Tannenbaum" was taken from. The lyrics are from a nine-stanza poem written by James Ryder Randall (1839–1908) in 1861. The state's general assembly adopted "Maryland, My Maryland" as the state song on April 29, 1939. [3]
Franz Schubert's song "An die Freude", D 189, for voice, unison choir and piano. Composed in May 1815, Schubert's setting was first published in 1829 as Op. post. 111 No. 1. The 19th century Gesamt-Ausgabe included it as a lied in Series XX, Volume 2 (No. 66). The New Schubert Edition groups it with the part songs in Series III (Volume 3). [19]
Johnny Johnny Yes Papa" is an English-language children's poem. The song is about a child, Johnny, who is caught by his father eating sugar when he is not supposed to. Versions of this song comprising more than one verse usually continue with variations on this theme. [1] [2]
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The Song: Go and Catch a Falling Star, also known simply as Song, is a poem by John Donne, one of the leading English metaphysical poets.Probably first passed round in manuscript during the final decade of the 16th century, it was not published until the first edition of Donne's collected poems in 1633 - two years after the poet's death. [2]