Search results
Results from the WOW.Com Content Network
Chamber music is a form of classical music that is composed for a small group of ... challenged many of the fundamental characteristics that had defined the genre ...
Chamber jazz is a genre of jazz involving small, acoustic-based ensembles where group interplay is important. [1] It is influenced aesthetically by the small ensembles of chamber music in musical neoclassicism and is often influenced by classical forms of Western music, [2] music as well as non-Western music or culture.
Classical music is also performed in honour of gods and scholars such as to Confucius in temples and shrines. These categories are defined as Nhã Nhạc ("elegant music" or "ritual and ceremonial" music), Đại nhạc ("great music"), and Tiểu nhạc ("small music") are classified as chamber music, often for entertainment for the ruler.
Opera – Dramatic work in one or more acts, set to music for singers and instrumentalists. Chamber opera – Opera written to be performed with a chamber ensemble rather than a full orchestra. Symphony – Large-scale composition, typically for an orchestra and often in four movements.
Pages in category "Chamber music" The following 56 pages are in this category, out of 56 total. This list may not reflect recent changes. ...
A piano trio is a group of piano and two other instruments, usually a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. The term can also refer to a group of musicians who regularly play this repertoire together; for a number of well-known piano trios, see below.
Cantatas, both of the chamber variety and on a grand scale, were composed after 1900 as well. [8] Indeed, it would not be an exaggeration to claim that one of the most popular pieces of classical music of the 20th century to the layman's ears, is a cantata, namely Carmina Burana (1935–1936) by the German composer Carl Orff.
As a separate genre, it appears to have no specific form, although most of the divertimenti of the second half of the 18th century go either back to a dance suite approach (derived from the 'ballet' type of theatrical divertimento), or take the form of other chamber music genres of their century (as a continuation of the merely instrumental theatrical divertimento).