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Children's clothing during the Italian Renaissance reflected that of their parents. In other words, kids dressed exactly like the adults and looked like miniature versions of them. As babies and toddlers, children were all put in dresses to make the potty training process easier for parents or maids.
Afterwards, the bride and the groom had their first sexual experiences on a couch called a lectus. In a Roman wedding both sexes had to wear specific clothing. Boys had to wear the toga virilis while the bride to wear a wreath, a veil, a yellow hairnet, chaplets of roses, sex crines, and the hasta caelibaris. All of the guests would wear the ...
Images from a 14th-century manuscript of Tacuinum Sanitatis, a treatise on healthful living, show the clothing of working people: men wear short or knee-length tunics and thick shoes, and women wear knotted kerchiefs and gowns with aprons. For hot summer work, men wear shirts and braies and women wear chemises. Women tuck their gowns up when ...
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On formal occasions, adult male citizens could wear a woolen toga, draped over their tunic, and married citizen women wore a woolen mantle, known as a palla, over a stola, a simple, long-sleeved, voluminous garment that modestly hung to cover the feet. Clothing, footwear and accoutrements identified gender, status, rank and social class.
Roman clothing took on symbolic meaning for later generations. Roman armour, particularly the muscle cuirass, has symbolized amazing power. In Europe during the Renaissance (15th and 16th centuries AD), painters and sculptors sometimes depicted rulers wearing pseudo-Roman military attire, including the cuirass, military cloak, and sandals.
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