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The Quattrocento is viewed as the transition from the Medieval period to the age of the Italian Renaissance, principally in the cities of Rome, Florence, Milan, Venice, Naples. The period saw the fall of Constantinople to the Ottoman Empire, and it has been compared with the Timurid Renaissance which unfolded at the same time in Central Asia. [6]
Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School . He was considered a visionary architectural theorist—in Nikolaus Pevsner 's terms: "one of the most interesting later Quattrocento architects ". [ 1 ]
Peter Thornton, The Italian Renaissance Interior 1400–1600. (New York: Abrams) 1991 "Cassone - Italian Renaissance Marriage Chest" in Eclectique, 23 September 2009. Helen Webberley, "Marriage, fertility and courtly love in Renaissance Italy: cassone" in Art and Architecture, mainly, 1 February 2011
The Italian Renaissance (Italian: Rinascimento [rinaʃʃiˈmento]) was a period in Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity.
Il Quattrocento (in Italian). Milan: Electa. van Os, H.W. 1974. St. Francis of Assisi as a Second Christ in Early Italian Art. Simiolus: Netherlands Quarterly for the History of Art. 7 (3): 126: JSTOR; Banker, James. 1991. The Program for the Sassetta Altarpiece in the Church of S. Francesco in Borgo S. Sepolcro. I Tatti Studies. 4: 36-37: JSTOR
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Antonio del Pollaiuolo (UK: / ˌ p ɒ l aɪ ˈ w oʊ l oʊ / POL-eye-WOH-loh, [1] US: / ˌ p oʊ l-/ POHL-, [2] Italian: [anˈtɔːnjo del pollaˈjwɔːlo]; 17 January 1429/1433 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made important works in all ...
Pisanello (c. 1380/1395 – c. 1450/1455), born Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento.
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