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The term "bedtime story" was coined by Louise Chandler Moulton in her 1873 book, Bed-time Stories.The "ritual of an adult reading out loud to a child at bedtime formed mainly in the second half of the nineteenth century and achieved prominence in the early twentieth century in tandem with the rising belief that soothing rituals were necessary for children at the end of the day.
Rene Mable Neighbor Cloke (4 October 1904 – 1 October 1995) [1] was a British illustrator and watercolorist best known for her prolific output of artwork for children's books and greeting cards. [1]
Helps's stories were published initially by Collins and later by the Medici Society. [4] He contributed to several children's annuals published by Collins. Much of his work was published also by Rand McNally in the United States, where he illustrated several books written by Helen Wing. At least ten of his picture books appeared in German. [5]
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He often asked questions about the evening's theme, commented to Nina about the segments, and encouraged viewers to follow him as he acted out bedtime routines such as brushing his teeth or reading a bedtime story. On some occasions, Star did not want to go to sleep at bedtime and needed some coaxing from Nina. Lucy was a blue-and-purple ...
The special features an animated short of Goodnight Moon, narrated by Susan Sarandon, along with six other animated segments of children's bedtime stories and lullabies with live-action clips of children reflecting on a series of bedtime topics in between, a reprise of Goodnight Moon at the end, and the Everly Brothers' "All I Have To Do Is ...
Toopy and Binoo (French: Toupie et Binou) is a Canadian children's book series created by Dominique Jolin in 1996. In collaboration with Raymond Lebrun, it has been developed as an After Effect animated series produced by Echo Média (formerly Spectra Animation) and broadcast by Treehouse in English and Télévision de Radio-Canada and Télé-Québec in French.
Vector art for the show (e.g. the pictures of the characters and props on the gazebo and in the bedtime story) was all designed in Adobe Illustrator. The constant usage of gigantic inflatable structures, hundreds of props, expensive chroma key, heavy costumes and radio controlled vehicles meant for an estimated amount of £145,000 per episode. [6]
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