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The phrase "image of God" is found in three passages in the Hebrew Bible, all in the Book of Genesis 1–11: . And God said: 'Let us make man in our image/b'tsalmeinu, after our likeness/kid'muteinu; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.'
26 And God said: 'Let us make man in our image, after our likeness; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.' 27 And God created man in His own image, in the image of God created He him; male and ...
The Yoruba culture holds that the god Obatala, likewise, created the human race from clay. [34] The Efé people have a creation story in which the first man was made of clay and skin. [28] According to Malagasy mythology, the sky deity Zanahary and the earth deity Ratovantany created the Malagasy people by breathing life into clay dolls. [28]
The Creation of Adam (Italian: Creazione di Adamo), also known as The Creation of Man, [2]: plate 54 is a fresco painting by Italian artist Michelangelo, which forms part of the Sistine Chapel's ceiling, painted c. 1508 –1512. [3] It illustrates the Biblical creation narrative from the Book of Genesis in which God gives life to Adam, the ...
Baḥya ibn Paquda noted that Genesis 1:27, "So God created man in God's own image, in the image of God, God created man," and Genesis 6:8, "in the eyes of God," imply that God has physical form and body parts, and Genesis 6:5–6, "And the Lord saw ... and the Lord regretted," implies that God takes bodily actions like human beings. Baḥya ...
Elohim, when meaning the God of Israel, is mostly grammatically singular, and is commonly translated as "God", and capitalised. For example, in Genesis 1:26, it is written: "Then Elohim (translated as God) said (singular verb), 'Let us (plural) make (plural verb) man in our (plural) image, after our (plural) likeness '".
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A rationale for the use of a human is the belief that God created the soul of man in the image of his own (thus allowing humans to transcend the other animals). It appears that when early artists designed to represent God the Father, fear and awe restrained them from a usage of the whole human figure.