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Celtic cross stitch is a style of cross-stitch embroidery which recreates Celtic art patterns typical of early medieval Insular art using contemporary cross-stitch techniques. Celtic cross stitch typically employs rich, deep colors, intricate geometrical patterns, spirals , interlacing patterns, knotwork , alphabets, animal forms and zoomorphic ...
Lopi (Icelandic:) is knitting wool made from the fleece of Icelandic sheep. The fleece is made up of two layers, each with a different kind of wool. The wet-resistant outer coat contains long, coarse fibres, while the insulating layer beneath consists of soft, short fibres. [1] These are processed together to create lopi roving and yarn.
Sometimes cross-stitch is done on designs printed on the fabric (stamped cross-stitch); the stitcher simply stitches over the printed pattern. [2] Cross-stitch is often executed on easily countable fabric called aida cloth, [3] whose weave creates a plainly visible grid of squares with holes for the needle at each corner. Fabrics used in cross ...
It is nearly always used in combination with other types of embroidery stitches. Together they create a complete design and, historically, in ethnic embroidery, distinctive embroidery styles, also known as "needle-darning." Cover, Armenia, 18th century, Linen, silk, plain weave, embroidery (cross stitch), drawnwork lace, Honolulu Academy of Arts
Canvas work in cross stitch became popular again in the mid-19th century with the Berlin wool work craze. Herringbone, fishbone, Van Dyke, and related crossed stitches are used in crewel embroidery, especially to add texture to stems, leaves, and similar objects. Basic cross stitch is used to fill backgrounds in Assisi work. [3]
Samplers were mainly school exercises or mourning samplers [21] during the 18th and 19th centuries, and were almost entirely worked in cross stitch. Design styles were increasingly influenced by Berlin woolwork which became popular worldwide, due to the availability of patterns, initially emanating from Berlin, Germany.
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