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In Romeo and Juliet, Shakespeare employs several dramatic techniques that have garnered praise from critics, most notably the abrupt shifts from comedy to tragedy (an example is the punning exchange between Benvolio and Mercutio just before Tybalt arrives).
Gounod's Roméo et Juliette, in which the composer is always pleasing, though seldom impressive, might be described as the powerful drama of Romeo and Juliet reduced to the proportions of an eclogue for Juliet and Romeo. One remembers the work as a series of very pretty duets, varied by a sparkling waltz air for Juliet, in which Madame Patti ...
Romeo and Juliet, TH 42, ČW 39, is an orchestral work composed by Pyotr Ilyich Tchaikovsky. It is styled an Overture-Fantasy , and is based on Shakespeare 's play of the same name . Like other composers such as Berlioz and Prokofiev , Tchaikovsky was deeply inspired by Shakespeare and wrote works based on The Tempest and Hamlet as well.
Romeo and Juliet (Russian: Ромео и Джульетта, romanized: Romeo i Dzhulyetta), Op. 64, is a ballet by Sergei Prokofiev based on William Shakespeare's play Romeo and Juliet. First composed in 1935, it was substantially revised for its Soviet premiere in early 1940.
In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
Romeo and Juliet Poster, designed by François Flameng , featuring Sarah Bernhardt and giving the names of eighteen other "famous artists" shown in "living visions" at the 1900 Paris Exposition using the Gratioulet-Lioret system of sound film .
Romeo enters the church where Juliet lies and consumes the poison just as Juliet wakes up. Distraught over Romeo’s death, Juliet picks up his gun and shoots herself in the head, falling down beside his lifeless body. Romeo's body is being taken inside an ambulance with a crowd of spectators and reporters observing the incident from behind the ...
In 2004, Shakespeare's Globe, in London, produced three performances of Romeo and Juliet in original pronunciation. [2] Spearheaded by linguist David Crystal and play director, Tim Carroll, [3] this was the beginning of contemporary interest in Shakespeare in original pronunciation.