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The long poem Liberty by the Scottish James Thomson (1734), is a lengthy monologue spoken by the "Goddess of Liberty", describing her travels through the ancient world, and then English and British history, before the resolution of the Glorious Revolution of 1688 confirms her position there. [62]
For example, when a person is unhinged by grief, the clouds might seem darker than they are, or perhaps mournful or uncaring. [ 6 ] [ 7 ] The word "fallacy" in modern usage refers primarily to an example of flawed reasoning, but for Ruskin and writers of the 19th century and earlier, fallacy could be used to mean simply a "falseness". [ 8 ]
The poem is a dialogue between a narrator who serves as a questioner and a little girl, with part of the evolving first stanza contributed by Coleridge. [8] The poem is written in ballad form. The poem begins with the narrator asking: A simple child, dear brother Jim, That lightly draws its breath, And feels its life in every limb,
Momus (/ ˈ m oʊ m ə s /; Ancient Greek: Μῶμος Momos) in Greek mythology was the personification of satire and mockery, two stories about whom figure among Aesop's Fables. During the Renaissance, several literary works used him as a mouthpiece for their criticism of tyranny, while others later made him a critic of contemporary society ...
The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as ...
In poetry, the grand style may feature a rhyming couplet, whereby the last two lines of a section rhyme. This creates a sense of control by the narrator of the poem or speaker in the play. Formal, ornamented language is used, while slang and vulgarity are avoided. Verbs are often used in the imperative form, with the goal of swaying an audience ...
An apostrophe is an exclamatory figure of speech. [1] It occurs when a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes absent from the scene.
This makes the caesura arguably more important to the Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could be suppressed for effect in any line. In the alliterative verse that is shared by most of the oldest Germanic languages, the caesura is an ever-present and necessary part of the verse form itself.