Search results
Results from the WOW.Com Content Network
From the ever-catchy "Domingo" song to John Mulaney forgetting names, we rounded up the best sketches from NBC's "Saturday Night Live" Season 50.
In 2014, Rolling Stone ranked the sketch No. 10 in their list of the 50 "greatest Saturday Night Live sketches of all time", [3] while in 2011, Paste ranked it No. 5 in their list of the 10 "most shocking moments" [4] — an opinion shared by VH1. [5] Don Cheadle declared it one of his favorite sketches, [6] as did Keegan-Michael Key [7] and ...
James Brown Celebrity Hot Tub Party. Many of Eddie Murphy’s best impressions relied on inversion. Gumby reimagined as an asshole, Mr. Rogers if he were homeless, etc. But in this legendary ...
CHICAGO — This isn’t meant to be answered with certainty, but for a moment, ask yourself: What is the single best comedy sketch of all time? From any source — Abbot & Costello, Monty Python ...
The sketch is one of the most popular SNL sketches ever made; in many "best of" lists of SNL sketches, it places in the top ten (ranked number nine by Rolling Stone, [3] for example). As a result of its popularity, "more cowbell" became an American pop culture catchphrase , and has even entered the dictionary.
In 1999 and 2000, the first two series of Smack the Pony won the Emmy Award for the 'Best Popular Arts Show', and all three series were nominated for Bafta awards. [1] Two sketches from the show made it onto Channel 4's 50 Greatest Comedy Sketches, the first being Saying Goodbye at number 39 and Singing Match at number 22. [6]
The sketches even led to a fanzine and appreciation gatherings where fans would dress up as the characters. [3] In 2004, in a poll on its website, Channel 4 voted Acorn Antiques the 7th best comedy sketch of all time. [4] The show made a brief return to television in 1992 in Victoria Wood's All Day Breakfast, her satire on daytime television. [5]
Songs for Swingin' Sellers is the second studio album by the English actor, comedian and singer Peter Sellers.Released on EMI's Parlophone label in December 1959, the album was produced by George Martin with musical direction from Ron Goodwin and features a series of comic sketches showcasing Sellers' satirical humour and mimicry.