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Byzantine architecture is the architecture of the Byzantine Empire, or Eastern Roman Empire, usually dated from 330 AD, when Constantine the Great established a new Roman capital in Byzantium, which became Constantinople, until the fall of the Byzantine Empire in 1453.
Byzantine mosaics are mosaics produced from the 4th to 15th [1] centuries in and under the influence of the Byzantine Empire. Mosaics were some of the most popular [ 2 ] and historically significant art forms produced in the empire, and they are still studied extensively by art historians. [ 3 ]
Byzantine church buildings (2 C, 18 P) M. Byzantine mosques (empty) P. Byzantine palaces (1 C, 10 P) S. Byzantine synagogues (11 P) This page was last edited on ...
In the Balkans, where Byzantine rule weakened in the 7th and 8th centuries, domed architecture may represent Byzantine influence or, in the case of the centrally planned churches of 9th-century Dalmatia, the revival of earlier Roman mausoleum types. An interest in Roman models may have been an expression of the religious maneuvering of the ...
Mosaics were a particular feature of Byzantine architecture and are the main form of adornment of many Orthodox churches, both externally and internally. The most common theme in the decoration, both external and internal, of any church, is the salvation of humankind by Jesus Christ .
Eastern Orthodox church architecture constitutes a distinct, recognizable family of styles among church architectures. These styles share a cluster of fundamental similarities, having been influenced by the common legacy of Byzantine architecture from the Eastern Roman Empire .
Byzantine art was an essential part of this culture and had certain defining characteristics, such as intricate patterns, rich colors, and religious themes depicting important figures in Christianity. The fall of Constantinople in 1453 was a significant event in the history of the Byzantine Empire, and it had a profound impact on the art world.
The achievements of later Byzantine architecture have been described as "the elaboration of a type of church that was, in its own way, perfect." [ 31 ] The near-universal acceptance of the cross-in-square plan in the Byzantine world does not, however, imply the stagnation of artistic creativity, as the numerous variations on the type (described ...