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The room had a decorated high ceiling, furniture in the Louis XV style (including gilded sodas and chairs upholstered with silk), wall lights with tiny beaded shades, valuable paintings, and Persian rugs. The room also included Louis XV-style curio cabinets, filled with objects from Schumacher's trips abroad. [32] [19] [21]
A bare room was considered to be in poor taste, so every surface was filled with objects that reflected the owner's interests and aspirations. The parlour was the most important room in a home and was the showcase for the homeowners where guests were entertained. The dining room was the second-most important room in the house.
The yellow salon of Queen Louise of Prussia in the City Palace, Potsdam (c.1840), by Friedrich Wilhelm Klose (1804–1863). The interior portrait (portrait d'intérieur) or, in German, Zimmerbild (room picture), is a pictorial genre that appeared in Europe near the end of the 17th century and enjoyed a great vogue in the second half of the 19th century.
The interior of the house reflects the Eastlake style in the mantel spindles, the ornate tile work surrounding the two fireplaces, 12-foot second story coved ceilings and other details. The wall cladding in the main house is a horizontal shiplap with vertical lapboard.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
The Grey Room (or Grey Room (or The Gray Room) oil on canvas: 1913: 25.3 in x 30.8 in (64.3 cm x 78.2 cm) Scene: dark interior with woman reading by yellow glow. SIRIS Control Number 13730490 [7] The Seamstress: oil on canvas: 1913: 36 in x 26 in (91.4 cm x 66 cm) Scene: dark interior with woman sewing by light from window. Candlelight
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