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In the living room, the sofa’s leafy Malmaison Fontaine pattern and a vine-sculpted tole chandelier balance the traditional wingback chairs (Mrs. Howard) and a gilded French mirror. Alison ...
Italian Rococo furniture was usually upholstered with rich and colourful fabrics, such as velvet and silk, and furniture was usually lacquered. [1] Furniture from Piedmont was typically very French in style, Lombardy produced more sober and wooden furnishings, Genoa was known for its rich fabrics and colourful styles, and Venice for its ...
Italian baroque furnishing also had considerable Eastern influences. [4] Venetians, who at the time still held a vast sea empire, often imported rich fabrics and materials from other nations to enrich their furniture with eastern influences. Their furniture was chiefly sumptuous and luxurious, and included rich silks and green and gold lacquer. [4]
The sumptuous palazzi of noblemen and the middle-classes began to be decorated with tapestries, sculptures, frescos and lavish furniture. The most powerful Italian families of the time, such as the Florentine Medici, the Roman Farnese, the Milanese Sforza, the Italo-Spanish Borgia and the Urbinese Montefeltro had their palaces decorated with ...
Italian Neoclassical furniture was loosely based on that of Louis XVI styles but was made unique by the usage of exaggeratedly shaped backs and necks which were recessed. [1] Armoires, or armadi made by the Venetians were more geometrically shaped than the Rococo ones, but were usually gilded in gold and silver, and had a few intricate details ...
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
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