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In the metropolitan culture of France, French furniture, connoting Parisian furniture, embodies one of the mainstreams of design in the decorative arts of Europe, extending its influence from Spain to Sweden and Russia, from the late seventeenth century to the last craft traditions in workshops like Jacques-Emile Ruhlmann, which came to an end only with the Second World War.
A historical 18th-century Polish bed (lit à la polonaise) at Chambéry, FranceA Polish bed (French: Lit à la polonaise; French:), alternatively known in English as a polonaise, is a type of small-canopy bed which most likely originated in Poland and became a centrepiece of 18th-century French furniture. [1]
In the book he defined three different furniture types: type-needs, type-furniture, and human-limb objects. He defined human-limb objects as: "Extensions of our limbs and adapted to human functions that are type-needs and type-functions, therefore type-objects and type-furniture. The human-limb object is a docile servant.
The first Art Nouveau houses appeared in Brussels in 1893, including the Hotel Tassel designed by Victor Horta.Horta designed not only the house and decor but also the furniture, which featured the same nature-inspired curling whiplash lines which were featured in the architecture, wrought iron balcony and stairway railings, ceramic floors, and door handles.
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
Much like Henri II buffets, French Renaissance wardrobes feature the rich sculptural ornamentation (niches, pediments, pilasters, caryatids, festoane) characteristic of much Renaissance furniture [1] The Henry II style was the chief artistic movement of the sixteenth century in France , part of Northern Mannerism .
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