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He now lives in Madrid, Spain, where he was the founder of the Madrid Guitar Chamber Orchestra and is President of the International Organization for Latin American Music Diffusion (GUIA). He was the Art Director of the Posadas International Guitar Festival (Argentina), the Alsace International Guitar Festival and the Morocco International ...
Tresillo is the rhythmic basis of many African and Afro-Cuban drum rhythms, as well as the ostinato bass tumbao in Cuban son-based musics, such as son montuno, mambo, salsa, and Latin jazz. [ 12 ] [ 13 ] The example below shows a tresillo-based tumbao from "Alza los pies Congo" by Septeto Habanero (1925).
The rhythm is a modified tresillo rhythm with eight beats grouped into a repeating pattern of 3+3+2. [5] Unlike traditional flamenco, rumbas may be played in any key, major, minor and modal . [ 5 ] At approx. 100-120bpm, the tempo of rumba flamenca is slower than other more traditional flamenco styles such as bulerías and fandangos .
After hearing flamenco music on the radio, he switched from electric guitar to nylon-stringed classical guitar. [1] He began busking on the street and playing neighborhood theaters and flea markets. From these performances, he quickly established a following. [2] Benise came up with an act that married Latin rhythms to a circus atmosphere. [3]
American band Santana in 1971. In 1969, after the release of the debut album by Santana, the term "Latin rock" appeared in the US and other parts of the world. [32] It was an attempt to describe the band's music style as a fusion of Latin American and Caribbean rhythms, soul, jazz, funk, blues, psychedelia and rhythm and blues based on rock music.
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
Típico rhythms include merengue derecho, or straight-ahead merengue, which is the kind of fast-paced 2 4 time merengue most of us are used to hearing, usually used in the first section. Pambiche or merengue apambichao is similar but usually slower, and can be recognized by the double slap rhythm on the tambora. Guinchao is a third rhythm ...
In her recent memoir Simple Dreams, singer Linda Ronstadt discusses Duets With the Spanish Guitar and notes that her aunt, the renowned Spanish singer Luisa Espinel was a friend of vocalist Salli Terri: "Knowing I wanted to sing, Aunt Luisa had sent me a recording, Duets with the Spanish Guitar, which featured guitarist Laurindo Almeida dueting ...
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