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Nature writing is nonfiction or fiction prose about the natural environment. It often draws heavily from scientific information and facts while also incorporating ...
Ecofiction (also "eco-fiction" or "eco fiction") is the branch of literature that encompasses nature or environment-oriented works of fiction. [1] While this super genre's roots are seen in classic, pastoral, magical realism, animal metamorphoses, science fiction, and other genres, the term ecofiction did not become popular until the 1960s when various movements created the platform for an ...
Nature is an inherent character or constitution, [1] particularly of the ecosphere or the universe as a whole. In this general sense nature refers to the laws, ...
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
According to Alastair Fowler, the following elements can define genres: organizational features (chapters, acts, scenes, stanzas); length; mood; style; the reader's role (e.g., in mystery works, readers are expected to interpret evidence); and the author's reason for writing (an epithalamion is a poem composed for marriage). [3]
To try and define "nature" is, to use a variety of hackneyed natural metaphors, to stir up a hornet's nest, or to stumble into a quagmire, to step into a snakepit, or, maybe more to the point, to ...
Kant transforms the sublime from a terrifying object of nature to something intricately connected to the rational mind, and hence to morality. [7] The literary sublime, as well as the philosophical, aesthetic sublimes, is inherently connected to nature but, as with most literary terms, the sublime evolved alongside literature.
It is difficult to define the genre into which essays fall. Aldous Huxley, a leading essayist, gives guidance on the subject. [4] He notes that "the essay is a literary device for saying almost everything about almost anything", and adds that "by tradition, almost by definition, the essay is a short piece".