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Oedipus describes the riddle of the Sphinx by Jean-Auguste-Dominique Ingres, c. 1805. In classical psychoanalytic theory, the Oedipus complex (also spelled Œdipus complex) refers to a son's sexual attitude towards his mother and concomitant hostility toward his father, first formed during the phallic stage of psychosexual development.
The character of Hamlet played a critical role in Sigmund Freud's explanation of the Oedipus complex. [1] Even within the narrower field of literature, the play's influence has been strong. As Foakes writes, "No other character's name in Shakespeare's plays, and few in literature, have come to embody an attitude to life ... and been converted ...
This is just one example, however, of a considerable body of riddlic oracles in Ancient Greek literature: the gods' enigmatic answers to people asking questions of oracles appears to have been a significant literary trope, amongst other things a way to warn listeners of the perils and difficulties of seeking divine guidance. [14]
Still, there is an abundance of literature and folklore that follows the motif of the archetypal narrative, paralleling the more general steps of "Departure" (sometimes called Separation), "Initiation", and "Return". "Departure" deals with the hero venturing forth on the quest, including the call to adventure. "Initiation" refers to the hero's ...
Oedipus (UK: / ˈ iː d ɪ p ə s /, also US: / ˈ ɛ d ə-/; Ancient Greek: Οἰδίπους "swollen foot") was a mythical Greek king of Thebes.A tragic hero in Greek mythology, Oedipus fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea. [2]
The influential early 20th Century French Theatre critic Antonin Artaud considered Seneca's Oedipus and Thyestes models for his Theatre of Cruelty, originally speaking and writing about Seneca's use of 'the plague' in Oedipus in a famous lecture on 'Theatre and the Plague' given at the Sorbonne (April 6, 1933) and later revised and printed in ...
Jones' investigation was first published as "The Œdipus-complex as an Explanation of Hamlet's Mystery: A Study in Motive" (in The American Journal of Psychology, January 1910); it was later expanded in a 1923 publication; [4] before finally appearing as a book-length study (Hamlet and Oedipus) in 1949. [5]