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Albatross (instrumental) Alley Cat (song) Amen, Brother; L'amour est bleu; And the Address; Anji (instrumental) Apache (instrumental) Applejack (song) Apples and Bananas (instrumental) Asia Minor (instrumental) At the Sign of the Swingin' Cymbal; Atlantis (instrumental)
Download QR code; Print/export ... Help. Pages in category "1950s instrumentals" The following 43 pages are in this category, out of 43 total. ... (theme music ...
Instrumental rock was most popular from the mid-1950s to mid-1960s, with artists such as Bill Doggett Combo, The Fireballs, The Shadows, The Ventures, Johnny and the Hurricanes and The Spotnicks. Surf music had many instrumental songs. Many instrumental hits had roots from the R&B genre. The Allman Brothers Band feature several instrumentals.
Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics , or singing , although it might include some inarticulate vocals , such as shouted backup vocals in a big band setting.
"Rumble" is an instrumental by American group Link Wray & His Wray Men. Released in the United States on March 31, 1958, as a single (with "The Swag" as a B-side), "Rumble" utilized the techniques of distortion and tremolo, then largely unexplored in rock and roll.
The Ramrods were an American instrumental rock band in the late 1950s and 1960s, who had a hit in 1961 with their version of the song "(Ghost) Riders in the Sky".. The group was formed in Stamford, Connecticut, United States in 1956 by Claire Lane (born Claire Litke) and her brother Rich Litke. [1]
Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle , an island paradise or outer space . [ 1 ]
"The Happy Organ" is an instrumental composition made famous by Dave "Baby" Cortez in 1959. Cortez co-composed it with noted celebrity photographer James J. Kriegsmann and frequent collaborator Ken Wood. A significant portion of the tune bears a strong resemblance to the traditional "Shortnin' Bread" tune.