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Here you can find Le Clézio's thoughts about his African childhood and about life in remote places. [2] " L'Africain ", the story of the author’s father, is at once a reconstruction, a vindication, and the recollection of a boy who lived in the shadow of a stranger he was obliged to love.
Decolonising the Mind is split into four essays: "The Language of African Literature," "The Language of African Theatre," "The Language of African Fiction," and "The Quest for Relevance." Several of the book's chapters originated as lectures, and apparently this format gave Ngũgĩ "the chance to pull together in a connected and coherent form ...
Brittle Paper publishes original content submitted by authors, as well as commissioned reviews, interviews, essays, and other literary work. Having grown into "a thriving community of readers and writers interested in everything about African literature", [12] the blog is regarded as a major publicity platform for new books by African writers.
This promoted interaction of African writers and critics with visiting international scholars. [citation needed] Emenyonu is a research professor at University of Michigan. He held the position of Head of Department of Africana Studies. Presently, he is the Editor of the oldest journal in the world on African literature, African Literature Today.
Bhakti Shringarpure notes that "the dynamic digital impulses of African creativity have not only changed African literature but have also fundamentally altered literary culture as we know it." [ 25 ] The increasing use of the internet has also changed the way readers of African literature access content, which has led to the rise of digital ...
Bruce King, in a review published in Obsidian: Literature and Arts in the African Diaspora, called it "one of the best books available on African literature". He remarked, "In general the criticism of African literature has been superficial and unanalytical.... Larson's detailed analysis of style, structure and form is an improvement in this ...
It's hailed as one of the greatest works of fiction to emerge from Africa. But Things Fall Apart was written in English, sparking debate about the colonisation of language.
The magazine publishes new and established, emerging and contemporary work by artists across the African diaspora in artistic disciplines including literature, visual, sound, and mixed media. It is abstracted and indexed in the Modern Language Association Database. [2]