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"Say Yes" is a song by performed by Floetry, issued as the second single from their debut studio album Floetic. It was written by lead singer Marsha Ambrosius along with Andre Harris, [2] and was produced by Harris. [3] The song was the group's only single to chart on the Billboard Hot 100, peaking at #24 in 2003. [4]
Floetic is the debut studio album by the English R&B duo Floetry, released by DreamWorks Records in the United States on 1 October 2002 and on Polydor Records in the United Kingdom on 25 November 2002.
Their song "Where's The Love" was featured in the best-known 2003 film Bringing Down the House. Reviewers of the album praised Floetry for their skillful writing, soulful sound infused with funk and R&B and representing the English R&B scene that was emerging. [4] Floetry released a live album titled Floacism in 2003.
This takes away from the song in every case. And if it weren't for the track indexes on the CD, it would often be a challenge to determine where one song ends and where the next begins, given all the interludes, outerludes, redundant chit-chatter, and general noodling around."
Natalie "the Floacist" Stewart (born 13 February 1979) is an English rapper, singer, songwriter, spoken word artist, poet, and actress. Born in Germany and raised in London, she performed in various singing and dancing competitions as a child, and rose to fame in the early 2000s as part of the R&B girl-duo Floetry.
Lee was a member of Elmo and the Shades for eight years. The band enjoyed much popularity during this time playing nightclubs, casinos, parties, and occasional blues festivals throughout Memphis and the Mid-South. Lee is featured on three cuts on the 2009 CD by Elmo and The Shades, Blue Memphis. They are "Same Old Dog", "I Get the Blues for ...
Justin Timberlake went home to Memphis on Friday, January 19, for a free concert and debuted a brand-new single. During the Orpheum Theater show, Timberlake, 42, played “Selfish” live for the ...
[2] Matilda Egere-Cooper, writing for BBC Music, called Flo'Ology a "mind-blowing album that has them stepping up their soul game once again. Joints like the head-nodder "Supastar" (featuring Common) are in the mix to satisfy the movers and the shakers; but this album really leans towards that sultry, after-hours vibe they demonstrated on their ...