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Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
The poem is often attributed to anonymous or incorrect sources, such as the Hopi and Navajo tribes. [1]: 423 The most notable claimant was Mary Elizabeth Frye (1905–2004), who often handed out xeroxed copies of the poem with her name attached. She was first wrongly cited as the author of the poem in 1983. [4]
Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712". The poet's persona speaks about Death and Afterlife, the peace that comes along with it without haste.
Pages in category "Poems about death" The following 55 pages are in this category, out of 55 total. This list may not reflect recent changes. A.
The pastoral elegy is typically incredibly moving and in its most classic form, it concerns itself with simple, country figures. In ordinary pastoral poems, the shepherd is the poem's main character. In pastoral elegies, the deceased is often recast as a shepherd, despite what his role may have been in life.
First published as a separate poem in 1843, "The Conqueror Worm" was later incorporated into the text of Poe's short story "Ligeia". The poem seems to imply that all life is a worthless drama that inevitably leads to death.
"Sylvia’s Death" is a poem by American writer and poet Anne Sexton (1928–1974) written in 1963. "Sylvia's Death" was first seen within Sexton's short memoir “The Barfly Ought to Sing” for TriQuarterly magazine. The poem was also then included in her 1966 Pulitzer Prize winning collection of poems Live or Die.
This, Sorley's last poem, was recovered from his kit after his death. It was untitled, and so is commonly known by its incipit , or other titles. It is generally interpreted as a rebuttal to Rupert Brooke 's 1915 sonnet " The Soldier .", [ 2 ] which begins "If I should die, think only this of me: / That there's some corner of a foreign field ...
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