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A plot summary is not a recap. It should not cover every scene or every moment of a story. A summary is not meant to reproduce the experience of reading or watching the work. In fact, readers might be here because they didn't understand the original. Just repeating what they have already seen or read is unlikely to help them.
The term plot can also serve as a verb, as part of the craft of writing, referring to the writer devising and ordering story events. (A related meaning is a character's planning of future actions in the story.) The term plot, however, in common usage (e.g., a "film plot") more often refers to a narrative summary, or story synopsis.
Before writing or expanding a plot summary, you will need a good knowledge of the novel itself, preferably from a recent reading or at least from a good source which discusses the novel in some detail. Because adaptations often make significant changes, a film or TV version must not be used as the basis for anything in the plot summary for a novel.
A plot summary is a retelling, a summary, or an abridged or shortened précis of the events that occur within a work of fiction. The purpose of a plot summary is to help the reader understand the important events within a work of fiction, be they of the work as a whole or of an individual character.
For example, a summary of Citizen Kane should establish that much of the film is an extended flashback that is bookended by scenes in the film's present; the entire plot summary should still be written in narrative present tense. Summaries may depart from the fiction's chronological order if doing so enhances clarity or brevity.
Home-run story. This is a class story that goes particularly well. It is often a cause for celebration among teachers new to TPR Storytelling. Kindergarten day. This is the practice of teachers reading picture books to their students. See the kindergarten day section above. Parking. This is when the teacher stays focused on one sentence and ...
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The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting .