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Conte Ninni wears a black coat with a tall collar and a slight puff at the sleeve head over a tall-collared white shirt and white cravat, 1825. Francisco de Goya wears a gray coat over a satin single-breasted waistcoat and a tall-collared shirt that reaches to his ears, with a white cravat. Spanish, 1826.
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
The day dress has a wide, low neckline and long sleeves. Julie von Woyna wears a blue silk dress, with sheer sleeves and sheer lace trimmings . Her plaited hair is setup in an elaborate hairstyle. Marquise Irene of Pallavicini of 1834 with echoes of the Renaissance: a wide-necked black gown features a tight belt at the raised waistline. Hair is ...
He wears a tricorne and tall black riding boots, 1730s. Man playing cards wears a tricorne. His long brown wig (or possibly hair) is tied back with a black ribbon. His plain coat has deep cuffs. Dutch gentleman of 1736 wears a collarless grey coat with deep cuffs and a long waistcoat, both lined in sky blue, with matching breeches. His black ...
The women's shoes of the early Victorian period were narrow and heelless, in black or white satin. By 1850s and 1860s, they were slightly broader with a low heel and made of leather or cloth. Ankle-length laced or buttoned boots were also popular. From the 1870s to the twentieth century, heels grew higher and toes more pointed.
To maintain a proper dress shoe look, you want to stick with the usual colors like black, brown, gray, blue, and cognac for the upper. If you’re going with suede, a lighter sandy tan color is a ...
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