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The "person on business from Porlock" was an unwelcome visitor to Samuel Taylor Coleridge during his composition of the poem "Kubla Khan" in 1797. Coleridge claimed to have perceived the entire course of the poem in a dream (possibly an opium -induced haze), but was interrupted by this visitor who came "on business from Porlock " while in the ...
The poem's self-proclaimed fragmentary nature combined with Coleridge's warning about the poem in the preface turns "Kubla Khan" into an "anti-poem", a work that lacks structure, order, and leaves the reader confused instead of enlightened. [58] However, the poem has little relation to the other fragmentary poems Coleridge wrote. [59]
The book is framed as a conversation between the Mongol emperor Kublai Khan, and Marco Polo.The majority of the book consists of brief prose poems describing 55 fictitious cities that are narrated by Polo, many of which can be read as commentary on culture, language, time, memory, death, or human experience generally.
Kubla Khan: Or, A vision in a dream. A Fragment. "In Xanadu did Kubla Khan" 1798 1816 Recantation: Illustrated in the Story of the Mad Ox "An Ox, long fed with musty hay," 1798 1798, July 30 Hexameters. ('William my teacher,' &c.) "William, my teacher, my friend! dear William and dear Dorothea!" 1799 1851
The Biographia Literaria is a critical autobiography by Samuel Taylor Coleridge, published in 1817 in two volumes.Its working title was 'Autobiographia Literaria'. The formative influences on the work were William Wordsworth's theory of poetry, the Kantian view of imagination as a shaping power (for which Coleridge later coined the neologism "esemplastic"), various post-Kantian writers ...
Besides The Rime of the Ancient Mariner, Coleridge composed the symbolic poem Kubla Khan, written—Coleridge claimed—as a result of an opium dream, in "a kind of a reverie"; and the first part of the narrative poem Christabel. The writing of Kubla Khan, written about the Mongol emperor Kublai Khan and his legendary palace at Xanadu, was said ...
Thematically the poem is one of Coleridge's most cohesive constructs, with the narrative plot more explicit than previous works such as the fragmented Kubla Khan which tend to transcend traditional composure. Indeed, in many respects the consistency of the poem – most apparent from the structural formality and rhythmic rigidity (four ...
It is a holograph manuscript (i.e., written in Coleridge's own hand), from some time between the poem's composition in 1797 and its publication in 1816. It presumed not to be the first draft of the poem, but rather a "fair copy" written out legibly for publication, [2] though it has some minor differences from the final published poem.