Search results
Results from the WOW.Com Content Network
Nilotic landscapes are filled with abundant plant and animal life. Blue and green pigments often dominate the scene. The papyrus plant and palm trees are the most recognizable botanic features of a nilotic landscape, along with other plants, often carefully depicted and identifiable. Various animals are represented and vary depending on the ...
Shan shui (Chinese: 山 水; pinyin: shān shuǐ; lit. 'mountain-water'; pronounced [ʂán ʂwèɪ]) refers to a style of traditional Chinese painting that involves or depicts scenery or natural landscapes, using a brush and ink rather than more conventional paints. Mountains, rivers and waterfalls are common subjects of shan shui paintings.
Church also made vibrant sketches of the Olana landscape; he framed a few and hung them in the main residence. [8] In the studio at Olana he made hundreds of pencil and oil technical drawings for stencils, mantels, banisters, and other architectural elements of the main house. With the onset of rheumatism in the 1870s, Church's painting became ...
Penjing, also known as penzai, is the ancient Chinese art of depicting artistically formed trees, other plants, and landscapes in miniature.. Penjing generally fall into one of three categories: [1]
The painting depicts leafless trees in the winter snow, with the tops of two of the trees broken off and the third bent by the prevailing wind, giving the work a haunted, spectral air. It is a Romantic allegorical landscape, depicting a stone cairn or dolmen set amid three oak trees on a hilltop, with a contemplative melancholy mood. It was ...
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
WD1350, Hamilton, Douglas (1818-1892); is an album of 17 pen and ink drawings of landscapes in the Palni Hills, 1862 (35 folios), Volume entitled: Sketches of the Pulni Mountains. Printed descriptions are attached to each picture and there are pencil descriptions on the sketches. Size of the volume is 22.5 by 31.75 inches, deposited c. 1866. [9]
Ancient crooked pine trees clinging tenaciously to a sheer cliff, hills in the distance, vast expanse of water and sky, this secluded corner of nature would have been beloved by Zen monks and their followers and are some of the most common tropes of shigajiku.