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This forerunner of the modern Noritake Company was founded in the village of Noritake, a small suburb near Nagoya, Japan. Most of the company’s early wares carried one of the various “Nippon” back stamps to indicate its country of origin when exported to Western markets. [ 5 ]
Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
This was the area where the great majority of early Japanese porcelain, especially Japanese export porcelain, was made. In English usage "Arita ware" was traditionally used for the export wares in blue and white porcelain, mostly copying Chinese styles. The wares with added overglaze colours were called Imari ware or (a sub-group) Kakiemon.
Traditional loose-woven two-piece clothing, consisting of a robe-like top and shorts below the waist; the seams connecting the sleeves to the body are traditionally loosely-sewn, showing a slight gap. Worn by men, women, boys, girls, and even babies, during the hot, humid summer season, in lieu of kimono. Jittoku (十徳)
Ebisu is the name of the Japanese folk god of money who is usually portrayed with a fishing rod. In the early 1990s Yamane introduced a tailoring line, followed by fishing and golf lines. In 1999, he introduced a ladies fashion line called Evisu Donna to complete the development of Evisu as a full-fashion range going far beyond a jeans brand.
A stencil for undyed paste was used to create skiamorphic white outlines between the areas of colour, making the finished kata-yūzen pattern resemble itome-yūzen. [3] The Exposition Universelle of 1900 in Paris introduced Art Nouveau [3] (a Western art movement heavily influenced by Japanese art) [citation needed] to Japanese artists.
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The company also purchased shape and pattern designs from contract designers, which would either be used or adapted by Mary Grant for use in the various Franciscan Ware lines of dinnerware and art ware. To sell and market the dinnerware, the company first used the trade name of Franciscan Pottery.
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