Search results
Results from the WOW.Com Content Network
Huỳnh Minh Hưng, commonly known by his stage name Đàm Vĩnh Hưng (born 2 October 1971 [citation needed]), often referred to by his nickname Mr. Dam, [citation needed] is a Vietnamese singer.
The bolero-son: long-time favourite dance music in Cuba, captured abroad under the misnomer 'rumba'. The bolero-mambo in which slow and beautiful lyrics were added to the sophisticated big-band arrangements of the mambo. The bolero-cha, 1950s derivative with a chachachá rhythm. The bachata, a Dominican derivative developed in the 1960s.
Hoai Lam is a singer, who majored in Vietnamese folk and country songs. He has become well known all over Vietnam after winning the first prize in season 2 of reality television show Gương mặt thân quen (Your Face Looks Familiar) of Vietnam Television (VTV) in 2014.
Les Uns et les Autres (English: The Ones and the Others) is a 1981 French film by Claude Lelouch.The film is a musical epic and it is widely considered as the director's best work, along with Un Homme et une Femme (A Man and a Woman).
Most salsa music is played with one of the son claves, though a rumba clave is occasionally used, especially during rumba sections of some songs. As an example of how a clave fits within the 8 beats of a salsa dance , the beats of the 2-3 Son clave are played on the counts of 2, 3, 5, the "and" of 6, and 8.
During the 1970s, V-pop was limited to Nhạc trẻ Sài Gòn (Youth music of Saigon, now called Ho Chi Minh City) or Kích động nhạc (Exciting music). After 1975, the Nhạc trẻ Sài Gòn scene, which encompasses vibrant, fun folk songs, was outlawed. [1]
Although rumba is played predominantly in binary meter (duple pulse: 2 4, 4 4), triple meter (triple pulse: 9 8, 3 4) is also present. In most rumba styles, such as yambú and guaguancó, duple pulse is primary and triple-pulse is secondary. [18] In contrast, in the rural style columbia, triple pulse is the primary structure and duple pulse is ...
Sabor a Mí" ("Taste of Me") is a 1959 bolero by Mexican musician and composer Álvaro Carrillo. Upon its release, it was recorded by many acts such as Los Tres Ases and Rolando Laserie, becoming the most successful song of 1960 in Mexico. [1] It was further popularized by Los Panchos, who collaborated on their rendition with Eydie Gormé in ...