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The Museu Nacional de Belas Artes (MNBA; Portuguese for National Museum of Fine Arts) is a national art museum located in the city of Rio de Janeiro, Brazil.The museum, officially established in 1937 by the initiative of education minister Gustavo Capanema [], was inaugurated in 1938 by President Getúlio Vargas.
Museu Nacional de Belas Artes, Rio de Janeiro Ham's Redemption , in Portuguese : A Redenção de Cam ; is an oil painting made by painter Modesto Brocos in 1895 . Brocos completed the work while teaching at the National School of Fine Arts of Rio de Janeiro .
Museu Nacional de Belas Artes, Rio de Janeiro The First Mass in Brazil ( Portuguese : Primeira Missa no Brasil ) is an oil painting of the historical genre by Brazilian painter Victor Meirelles . It is considered Meirelles' first major work.
Batalha dos Guararapes, oil on canvas full-color work, is kept in the collection of the Museu Nacional de Belas Artes, in Rio de Janeiro, and measures 500 cm by 925 cm. [8] [9] It depicts one of the battles between the Portuguese and the Dutch that took place on the Guararapes Hill, on Brazilian soil, during Brazil's colonial period.
Museu Aeroespacial; Museu da Imagem e do Som do Rio de Janeiro; Museu do Índio; Museu Nacional de Belas Artes; Museum of Images of the Unconscious; Museum of Life; Museum of Modern Art, Rio de Janeiro; Museum of Tomorrow
Museu Nacional de Belas Artes, Rio de Janeiro: Sugar mill: mid-17th century Oil on canvas, 90.8 × 115.5 cm: Unsigned. [12] Contested authorship. Museu Nacional de Belas Artes, Rio de Janeiro: Village on a wooded plain [19] mid-17th century Oil on panel, 46 × 75 cm: Itaú Unibanco collection, São Paulo: Landscape of Paraíba – Sugar mill ...
Mary C. Karasch, Slave Life in Rio de Janeiro, 1808-1850 (Princeton University Press, 1987) Jeffrey D. Needell, A Tropical Belle Epoque: Elite Culture and Society in Turn-of-the-Century Rio de Janeiro (Cambridge University Press, 1987) "Rio de Janeiro City", Brazil (4th ed.), Lonely Planet, 1998, p. 146+, ISBN 9780864425614 – via Open Library
In colonial times, the main structure in the Cinelândia area was the Ajuda Convent, built for women around 1750.Today's square started to gain its current shape in the early 20th century, when the Brazilian government considered that Rio de Janeiro, then the capital of the Republic, needed to be completely overhauled.