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The figure has yellow and black face paint, as is characteristic of Tezcatlipoca. But as Olivier points out, "gods like Xiuhtecutli or Huitzilopoctli have similar facial painting." [8] The figure is also shown with two unaltered feet, but does possess the white sandals, armbands, and adorned ears and head of Tezcatlipoca. He also carries arrows ...
Black Tezcatlipoca is Tezcatlipoca, and he was generally represented with a stripe of black paint across his face and an obsidian mirror in place of one of his feet. The post-Classic (after ad 900) Maya-Quiche people of Guatemala revered him as a lightning god under the name Hurakan ("One Foot").
Cē Ācatl Topiltzin Quetzalcōātl [seː ˈaːkat͡ɬ toˈpilt͡sin ket͡salˈkoːʷaːt͡ɬ] (Our Prince One-Reed Precious Serpent) (c. 895–947) is a mythologised figure appearing in 16th-century accounts of Nahua historical traditions, [5] where he is identified as a ruler in the 10th century of the Toltecs— by Aztec tradition their predecessors who had political control of the Valley ...
Further variations on this myth state that it was only Quetzalcoatl and Tezcatlipoca who pulled apart Cipactli, also known as Tlaltecuhtli [citation needed], and that Xipe Totec and Huitzilopochtli then constructed the world from her body. Some versions claim that Tezcatlipoca actually used his leg as bait for Cipactli, before dismembering her.
La Noche Triste ("The Night of Sorrows", literally "The Sad Night"), was an important event during the Spanish conquest of the Aztec Empire, wherein Hernán Cortés, his army of Spanish conquistadors, and their native allies were driven out of the Aztec capital, Tenochtitlan.
The most important part of the Toxcatl ritual was the sacrifice of a young man who had been impersonating Tezcatlipoca since the last Toxcatl festival, and the selection of a new man to take that role in the year to come. The youth chosen to be the ixiptlatli [3] (impersonator) of Tezcatlipoca was normally a war captive. [4]
In Aztec mythology, after Quetzalcoatl and Tezcatlipoca created the world, they put their creation in order and placed Mictlantecuhtli and his wife, Mictecacihuatl, in the underworld. [ 13 ] According to Aztec legend, the twin gods Quetzalcoatl and Xolotl were sent by the other gods to steal the bones of the previous generation of gods from ...
Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).