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The character originated in 1974 in an animated TV commercial for KGB-FM Radio in San Diego. Writer, cartoonist, and actor Brian Narelle was working for Odyssey Productions and offered to animate an acrobatic chicken as part of a commercial contract bid. Narelle went on to direct and animate the commercial as well as create cartoon art for the ...
On April 1, 1985, Chick joined The Bob & Tom Show. [10] In January 1995, [6] [11] Chick left The Bob and Tom Show to become co-host of a show called Kevin & McGee at KGB-FM in San Diego, California. After six months in San Diego, McGee returned on July 10, 1995 [6] to his former job on The Bob & Tom Show. [12]
KGB-FM (101.5 MHz) is a commercial radio station licensed to San Diego, California.It is owned and operated by iHeartMedia and broadcasts in a classic rock music format. KGB-FM's studios are located in San Diego's Kearny Mesa neighborhood on the northeast side, and the transmitter is located in East San Diego east of Balboa Park.
The song's lyrics are a double entendre in which the singer warns a young man not to dare "harm that bird" and tells him to release it because "that chick's too young to fry." He suggests that the man get away, stay away, and come back another day, and stop his crying, as there will come a time when "she'll be ready for fryin'." [4] [5]
"Big Boss Man" is a blues song first recorded by Jimmy Reed in 1960. It became one of his most popular songs, although the songwriting is credited to Luther Dixon and Al Smith. Chicago -based Vee-Jay Records released it as a single, which became one of Reed's last appearances on the record charts.
KGB (760 AM) is a commercial broadcast radio station licensed to San Diego, California.It is owned by iHeartMedia and airs a sports radio format. [3] KGB has local sports talk shows along with play-by-play coverage of San Diego State Aztecs football and basketball, Los Angeles Lakers basketball, San Diego Gulls hockey, and national programming from Fox Sports Radio.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
A [[contr afact]] is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement.Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition.