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Beethoven used the same theme in his work op.105, number 3 for flute and piano.) His three-movement sonata Op. 15 is a clever, witty work and one of the most developed examples of the genre for guitar. The several sets of extended Rossiniana reside at the pinnacle of nineteenth-century operatic pot pourri for guitar.
Jazz Sonata, for piano A Jazz Symphony Piano Sonata No. 4 "Jazz" Malcolm Arnold: 1954 1959 1974 Concerto for Harmonica and Orchestra, Op. 46 Concerto for Guitar and Orchestra, Op. 67 Concerto No. 2 for Clarinet and Orchestra, Op. 115 Larry Austin: 1960 1961 1971 Fantasy on a Theme by Berg, for jazz orchestra: 5 saxs, 5 tpts, 4 trbns, perc set ...
Piano Sonata in B ♭ major (K.570) – Considered by many to be Mozart's finest piano sonata; Franz Xaver Wolfgang Mozart. Sonata No. 1 for violin and piano in B ♭ major, Op. 7 (1808) Sonata No. 2 for violin and piano in F major, Op.15 (1813) Grande sonate for violin or cello and piano in E major, Op.19 (1820) Rondo (Sonata) for flute and piano
Sonata for flute and piano, Op. 27 (1930–31) Paul Juon. Sonata for flute and piano in F, Op. 78 (1924) Sigfrid Karg-Elert. Sonata for flute and piano in B flat, Op. 121 (1918) Sonata Appassionata for flute solo in F sharp, Op. 140 (1917) Charles Koechlin. Sonata for flute and piano, Op. 52 (1911–13) Sonata for 2 flutes, Op. 75 (1918–20)
Today, the piece is heard almost exclusively in transcriptions for cello and piano or viola and piano that were arranged after the posthumous publication, although versions that substitute other instruments—including violin, double bass, flute, euphonium, alto saxophone and clarinet for the arpeggione, or guitar or harp for the piano part—are also performed.
Portrait of composer C.P.E. Bach. The older Italian sonata form differs considerably from the later sonata in the works of the Viennese Classical masters. [1] Between the two main types, the older Italian and the more "modern" Viennese sonata, various transitional types are manifest in the middle of the 18th century, in the works of the Mannheim composers, Johann Stamitz, Franz Xaver Richter ...
Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib; Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon; Carl Maria von Weber: Trio for Piano, Flute and Cello in G minor, Op. 63, J. 259 (1818-19)
Boehm's work was inspired by an 1831 concert in London, given by soloist Charles Nicholson, who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own ...