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The result is a self-harming self-portrait, an effigy that has been prevented, inhibited, forced into silence. Annegret Soltau writes her story as a woman on the blank page of her face; it is a history of conflict, impulsive reactions to the family environment, to the marginal position of women in the social context, to gender pressures and ...
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
A 2017 exhibition of her self portraits depicting the effects of her struggle with anorexia, gained significant attention in Norway. [ 3 ] [ 4 ] In interviews, and in a TED talk, she described her struggle between creativity and suffering from poor physical health.
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
Pamella Bordes (born 1961), worked as an international photojournalist for Gamma Press Photos, exhibitions include notable images from India and Cambodia, also self-portraits; Sue Darlow (1960–2011), photographer in the UK and India; Serin George (fl 2000s), fashion photographer and model; Gauri Gill (born 1970), contemporary photographer
Self-Portrait with a Harp (Rose-Adélaïde Ducreux) Self-Portrait with Bandaged Ear; Self-Portrait with Cigarette; Self-Portrait with Dr Arrieta; Self-portrait with Easel; Self-Portrait with Hat and Veil; Self-Portrait with His Wife and a Glass of Champagne; Self-Portrait with Model at Bergamo; Self-Portrait with Monkey; Self-Portrait with ...
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Anne Brigman (1869–1950), one of the original members of the Photo-Secession movement, images of nude women (including self-portraits) from 1900 to 1920; Charlotte Brooks (1918–2014), photojournalist, staff photographer for Look; Ellen Brooks (born 1946), pro-filmic approach, often photographing through screens