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The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
Aeschylus' play Eumenides, the third part of his surviving Oresteia trilogy, enshrines the trial and acquittal of Orestes within the foundation of Athens itself, as a moment when legal deliberation surpassed blood vengeance as a means of resolution. As such, the fact that Euripides' version of the myth portrays Orestes being found guilty and ...
Michael Ewans argues in his Wagner and Aeschylus. The Ring and the Oresteia (London: Faber. 1982) that the influence was so great as to merit a direct character by character comparison between Wagner's Ring and Aeschylus's Oresteia. But a critic of that book, while not denying that Wagner read and respected Aeschylus, has described the ...
In the Homeric telling of the story, [4] Orestes is a member of the doomed house of Atreus, which is descended from Tantalus and Niobe.He is absent from Mycenae when his father, Agamemnon, returns from the Trojan War with the Trojan princess Cassandra as his concubine, and thus not present for Agamemnon's murder by Aegisthus, the lover of his wife, Clytemnestra.
In this category [can be placed] Aeschylus’ Persians and Oresteia." [30] In the case of Aeschylus' tragedy The Persians, it was performed in 472 BC in Athens, eight years after the battle of Salamis, when the war with Persia
In the Iliad, the king of Argos, Agamemnon, sacrifices his daughter Iphigenia to Artemis to assure good sailing weather to travel to Troy and fight in the Trojan War.In Agamemnon, the first play of Aeschylus's Oresteia trilogy, Agamemnon's wife, Clytemnestra, and her lover, Aegisthus, murder Agamemnon upon his return home as revenge for sacrificing Iphigenia.
Bacon was captivated by Aeschylus' play, and keen to learn more about Greek tragedy, although he said many times that he regretted being unable to read the original in Greek. [35] In 1942, he read the Irish scholar William Bedell Stanford's Aeschylus in his Style, and found the theme of obsessive guilt in The Oresteia to be highly resonant. [36]
The play Agamemnon from Aeschylus's trilogy Oresteia depicts the king treading the scarlet cloth laid down for him, and walking offstage to his death. [29]: ln. 972 After the chorus's ode of foreboding, time is suspended in Cassandra's "mad scene". [30]: p. 11–16 She has been onstage, silent and ignored.
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