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The Oresteia (Ancient Greek: Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus and the pacification of the Furies (also called Erinyes or Eumenides).
Aeschylus' work has a strong moral and religious emphasis. [48] The Oresteia trilogy concentrated on humans' position in the cosmos relative to the gods and divine law and divine punishment. [49] Aeschylus' popularity is evident in the praise that the comic playwright Aristophanes gives him in The Frogs, produced some 50 years after Aeschylus ...
The Achilleis (/ ˌ æ k ɪ ˈ l iː ɪ s /; Ancient Greek Ἀχιλληΐς, Achillēís, pronounced [akʰillɛːís]) is a lost trilogy by the Athenian dramatist Aeschylus. The three plays that make up the Achilleis exist today only in fragments, but aspects of their overall content can be reconstructed with reasonable certainty.
The Theban Trilogy consists of Oedipus the King, Oedipus at Colonus, and Antigone. Although the plays are often called a "trilogy," they were written many years apart. Antigone, the last of the three plays sequentially, was actually first to be written, having been composed in 441 BC, towards the beginning of Sophocles's career. [35]
Though an Alexandrian catalogue of Aeschylean play titles designates the trilogy Hoi Prometheis ("the Prometheuses"), in modern scholarship the trilogy has been designated the Prometheia to mirror the title of Aeschylus' only extant trilogy, the Oresteia. Unlike the Oresteia, only one play from this trilogy—Prometheus Bound—survives.
Aeschylus' Suppliants concerns the shared history of the Argive Greeks and the Egyptians, but at its psychological heart lies the dramatization of violent ethnic confrontation. In its discussion of physical appearance, skin colour, and clothing, as well as in its comparisons of religion, behavioural codes, and political culture, the dialogue ...
Aeschylus himself had fought the Persians at Marathon (490 BC). He may even have fought at Salamis, just eight years before the play was performed. The satyr play following the trilogy was Prometheus Pyrkaeus, translated as either Prometheus the Fire-lighter or Prometheus the Fire-kindler, which comically portrayed the titan's theft of fire. [3]
Aeschylus. Aeschylus was to establish the basic rules of tragic drama. [15] He is credited with inventing the trilogy, a series of three tragedies that tell one long story, and introduced the second actor, making the dramatization of a conflict possible. Trilogies were performed in sequence over a full day, sunrise to sunset.
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