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The Aeolian mode is the sixth mode of the major scale, that is, it is formed by starting on the sixth degree of the major scale. For example, if the Aeolian mode is used in its all-white-note pitch based on A, this would be an A-minor triad, which would be the submediant in the relative major key of C major.
The Dorian mode is very similar to the modern natural minor scale (see Aeolian mode below). The only difference with respect to the natural minor scale is in the sixth scale degree, which is a major sixth (M6) above the tonic, rather than a minor sixth (m6). Tonic triad: Dm; Tonic seventh chord: Dm 7; Dominant triad: Am
Within the diatonic modes of the major scale, in addition to the Aeolian mode (which is the natural minor scale), the Dorian mode and the Phrygian mode also fall under this definition. Conversely, the Locrian mode has a minor third, but a diminished fifth (thus containing a diminished triad ), and is therefore not commonly referred to as a ...
[4] The actual meaning of the term "Aeolian cadence" is that a major key song resolves on the vi chord, which is the tonic chord of the relative minor key (the Mahler ends on the major tonic with an "added 6th," not on a VI chord.) The term derives from the fact that the Aeolian mode is rooted on the sixth step of the major scale.
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