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After studying in Malolos, Tolentino went to Manila and attended classes in the School of Fine Arts of the University of the Philippines. [4] In 1911, Tolentino made an illustration of prominent Filipinos posing for a studio portrait. Among those included were national heroes, revolutionaries, and politicians. [5]
The Ibalon Monument which shows the four (4) heroes of the epic: Tambaloslos, Baltog, Handyong and Bantong in Legazpi City. The Ibálong, also known as Handiong or Handyong, is a 60-stanza fragment of a Bicolano full-length folk epic of the Bicol region of the Philippines, based on the Indian Hindu epics Ramayana and Mahabharata.
Caedo's career as a sculptor began in the year 1925 when he worked with Guillermo E. Tolentino's atelier as student-assistant and protégé. He assisted Tolentino in creating most of his landmark commissions like: the UP Oblation; the Bonifacio Monument in Caloocan; the Rizal Monument in front of the Rizal Provincial Capitol; and the Shaw Monument at Shaw Boulevard in Mandaluyong to name a few.
The reformist writer José Rizal, today considered as the quintessential national hero, has never been explicitly proclaimed as such by the Philippine government. [1] Besides Rizal, the only other Filipino currently given implied recognition as a national hero is Andrés Bonifacio, based on the Philippine government's policy on national holidays.
Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists.
Antipolo by Fernando Amorsolo, depicting Filipinos celebrating the annual pilgrimage to Antipolo, with the pre-War cathedral depicted in the background.. After graduating from the University of the Philippines, Amorsolo worked as a draftsman for the Bureau of Public Works as a chief artist at the Pacific Commercial Company and as a part-time instructor at the University of the Philippines. [7]
Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
She was the only female member of the "Thirteen Moderns," a standing group of Filipino modernist artists, and in 1958 was chosen by a panel of experts as one of the six major painters of the country's history. [4] The most famous work of Magsaysay-Ho are subject to the beauty of Filipino women dealing with everyday issues. [4]