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Première rêverie (English: First Reverie), also known in English as Whisperings of Love, is a painting by nineteenth-century French artist William-Adolphe Bouguereau. The work was completed in 1889 and is held at the New Orleans Museum of Art.
William-Adolphe Bouguereau (French pronunciation: [wiljam adɔlf buɡ(ə)ʁo]; 30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. [ 1 ]
William-Adolphe Bouguereau, Nymphs and Satyr, 1873, Clark Art Institute. Ross is a strong admirer of Adolphe Bouguereau's work. In 2002 he spoke to the New York Society of Portrait Artists and described the impression made on him in the Clark Art Institute by Bouguereau's 8.5-foot-tall (2.6 m) painting, Nymphs and Satyr:
The Virgin of the Lilies (French: La Vierge au lys), also known as The Madonna of the Lilies, is an 1899 oil painting by the French artist William-Adolphe Bouguereau, now owned by a private owner. [1] Its dimensions are 27 × 18.5 cm. [2]
Gabrielle Cot (French pronunciation: [ɡabʁijɛl kɔt]) [1] is an oil-on-canvas portrait painted in 1890 by William-Adolphe Bouguereau. Gabrielle Cot was the daughter of the French painter Pierre Auguste Cot, the most notable pupil of Bouguereau. This painting was one of the few non-commissioned portraits he ever painted.
The Shepherdess (French: Pastourelle), also known as The Little Shepherdess, is a painting by William-Adolphe Bouguereau completed in 1889. The title is taken from the Southern French dialect . The painting depicts an idyllic , pastoral scene of a lone young woman in peasant attire posed for the artist, balancing a stick (likely her crook ...
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The Broken Pitcher is the artwork of French artist William-Adolphe Bouguereau. [1] The painting was completed in 1891. [1] It was the first artwork of William-Adolphe Bouguereau when he arrived in California. [2] The painting is the symbol of the loss of virginity. [3]
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