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Wouters (1988), Alfons, The Chester Beatty Codex AC 1499, a Graeco-Latin lexicon on the Pauline Epistles, and a Greek grammar, Peeters, ISBN 978-90-6831-124-2 Dickey (2019), Emily A Re-Examination of New Testament Papyrus P99 (Vetus Latina AN glo Paul), New Testament Studies.
The text discusses key concepts such as the viveka (discrimination or discernment) between real (unchanging, eternal) and unreal (changing, temporal), Prakriti and Atman, the oneness of Atman and Brahman, and self-knowledge as the central task of spiritual life and for Moksha.
Throughout Pali literature, viññā ṇ a [1] can be found as one of a handful of synonyms for the mental force that animates the otherwise inert material body. [11] In a number of Pali texts though, the term has a more nuanced and context-specific (or "technical") meaning.
According to John of Damascus, the virtue of discernment "is greater than any other virtue; and is the queen and crown of all the virtues". [9] The key to discernment is humility, as well as its two manifestations: consulting with others and praying about every decision a person could take: "Discrimination is born of humility.
In addition, modern English forms are given for comparison purposes. Nouns are given in their nominative case, with the genitive case supplied in parentheses when its stem differs from that of the nominative. (For some languages, especially Sanskrit, the basic stem is given in place of the nominative.) Verbs are given in their "dictionary form".
Thaumaturgy (/ ˈ θ ɔː m ə t ɜːr dʒ i / ⓘ) is the practical application of magic to effect change in the physical world. Historically, thaumaturgy has been associated with the manipulation of natural forces, the creation of wonders, and the performance of magical feats through esoteric knowledge and ritual practice.
Sin at-tamyiz (the "age of discernment") refers to the age at which children are able to care for themselves, in the sense of no longer requiring adult assistance to eat, dress, or keep themselves clean.
Print shows Maud Muller, John Greenleaf Whittier's heroine in the poem of the same name, leaning on her hay rake, gazing into the distance. Behind her, an ox cart, and in the distance, the village