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Over the kurta, some versions have net material, the combination of which is called jaali karga, worn by men and women. [29] The traditional Lucknowi kurta can either be short [30] or long, using as much as 12 yards of cloth. [31] The traditional Lucknowi kurta styles have an overlapping panel. [32]
Bridal tunics are layered on top of each other; one old combination is as follows. A white nattiyak tunic as the base layer, a red tunic, a black tunic, a yellow tunic, and a blue tunic, topped by a red silk tunic and a green silk tunic, then a heavily embroidered tunic. These last three were probably liḥrīr likbīr. [31]
The indigenous women of the Isthmus of Tehuantepec are known for wearing two huipils. The first is a short velvet huipil which is heavily embroidered with floral motifs and a second one for special occasions, usually white, which frames the face then extends over the head covering the neck and shoulders.
Tunics worn by the Celts were documented by the Greek historian Diodorus Siculus: [T]he way they dress is astonishing: they wear brightly coloured and embroidered shirts, with trousers called braccae and cloaks fastened at the shoulder with a brooch, heavy in winter, light in summer. These cloaks are striped or checkered in design, with the ...
The informal version of the dashiki is a traditional print or embroidered dashiki. Three formal versions exist. The first type consists of a dashiki, sokoto (drawstring pants), and a matching kufi. This style is called a dashiki suit or dashiki trouser set and it is the attire worn by most grooms during wedding ceremonies.
From the left, there is a soldier on guard, the governor in one of the large hats worn by important officials, a middle-ranking civil servant (holding the register roll) in a dalmatic with a wide border, probably embroidered, over a long tunic, which also has a border.
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