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The Wheat Field with Cypresses paintings were made when Van Gogh was able to leave the asylum. Van Gogh had a fondness for cypresses and wheat fields of which he wrote: "Only I have no news to tell you, for the days are all the same, I have no ideas, except to think that a field of wheat or a cypress well worth the trouble of looking at closeup ...
The wheat field with cypresses paintings were made when van Gogh was able to leave the asylum. Van Gogh had a fondness for cypresses and wheat fields of which he wrote: "Only I have no news to tell you, for the days are all the same, I have no ideas, except to think that a field of wheat or a cypress well worth the trouble of looking at closeup."
Van Gogh's room in Saint Paul de Mausole. Saint-Paul-de-Mausole, twelve miles northeast of Arles, lies just outside Saint-Rémy-de-Provence in southern France.Mentioned on several occasions by Nostradamus, who was born nearby and knew it a Franciscan convent, [1] it was originally an Augustinian priory dating from the 12th century, and has a particularly beautiful cloister. [2]
A Wheatfield with Cypresses is any of three similar 1889 oil paintings by Vincent van Gogh, as part of his wheat field series. All were exhibited at the Saint-Paul-de-Mausole mental asylum at Saint-Rémy near Arles, France, where Van Gogh was voluntarily a patient from May 1889 to May 1890.
The Van Gogh Museum's Wheatfield with Crows was painted in July 1890, in the last weeks of Van Gogh's life. Many have claimed it as his last painting, while it is likely that Tree Roots was his final painting. Wheat Field with Crows, made on a double-square canvas, depicts a dramatic, cloudy sky filled with crows over a wheat field. [5]
[2] [3] There Van Gogh had access to an adjacent cell he used as his studio. He was initially confined to the immediate asylum grounds and painted the world he saw from his room, such as ivy covered trees, lilacs, and irises of the garden. [2] [4] Van Gogh could also see an enclosed wheat field, subject of many paintings at Saint-Rémy. [5]
Van Gogh sent the painting to his brother Theo in January 1890, along with a letter which described it as "Ploughed Field, with background of mountains", and again suggested that this violet-toned work could be a pendant with his yellow-dominated painting of The Reaper. [3] Van Gogh had made a Size 30 version of The Reaper (also known as Wheat ...
The Wheat Field, a group of paintings by Vincent Van Gogh of an enclosed wheat field in Saint-Rémy, France; The Wheat Field, an 1816 painting by John Constable; Wheat Fields, a series of paintings by Vincent Van Gogh over his career; Wheat Fields, a painting by Jacob van Ruisdael
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