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The Dance of the Seven Veils is the dance performed by Salome before King Herod Antipas in modern stage, literature, and visual arts. [2] It is an elaboration on the New Testament story of the Feast of Herod and the execution of John the Baptist , which refers to Salome dancing before the king, but does not give the dance a name.
Salome with John the Baptist's head, by Charles Mellin (1597–1649). Salome (/ s ə ˈ l oʊ m i, ˈ s æ l ə m eɪ /; Hebrew: שְלוֹמִית, romanized: Shlomit, related to שָׁלוֹם, Shalom "peace"; Greek: Σαλώμη), [1] also known as Salome III, [2] [note 1] was a Jewish princess, the daughter of Herod II and princess Herodias.
Some liturgical dance was common in ancient times or non-Western settings, with precedents in Judaism beginning with accounts of dancing in the Old Testament.An example is the episode when King David danced before the Ark of the Covenant (), but this instance is often considered to be outside of Jewish norms and Rabbinic rituals prescribed at the time.
Jewish dance was influenced by local non-Jewish dance traditions, but there were clear differences, mainly in hand and arm motions, with more intricate legwork by the younger men. [3] Jewish religious law frowned on mixed dancing, dictating separate circles for men and women.
Theatrical dance, also called performance or concert dance, is intended primarily as a spectacle, usually a performance upon a stage by virtuoso dancers. It often tells a story, perhaps using mime, costume and scenery, or it may interpret the musical accompaniment, which is often specially composed and performed in a theatre setting but it is not a requirement.
The Bible is a collection of canonical sacred texts of Judaism and Christianity.Different religious groups include different books within their canons, in different orders, and sometimes divide or combine books, or incorporate additional material into canonical books.
The Jews have a long dance history, within and outside the land of Israel. The Bible and Talmud refer to many events related to dance, and contain over 30 different dance terms. [2] During the dispersion, the dancing associated with the normal activities of a nation in its own country ceased. [3]
The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia. The theologian W. O. E. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers; the other purposes were to "show off" before the powers; to unite the dancer with a supernatural power, as in the dances for the Greek goddesses ...