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"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993 by Warner Bros. Records. It peaked at number 29 on the US Billboard Hot 100 , but fared much better on the US Cash Box Top 100 , where it peaked at number 18.
Other singles charted higher overseas: "Everybody Hurts" charted in the top ten on the United Kingdom singles chart, Canada, and Australia. [ 37 ] A live, harder, version of "Drive" appears on the Alternative NRG , recorded at Athens' 40 Watt Club on November 19, 1992, during an invitation-only concert supporting Greenpeace Action.
"Driver 8" is the second single from American musical group R.E.M.'s third album, Fables of the Reconstruction, released in September 1985. The song peaked at number 22 on the U.S. Billboard Mainstream Rock Tracks chart.
[81] Howard Hampton of Spin felt it was better than its "emotive predecessor" "Everybody Hurts", describing it as a "tremulous, promising-your-soul" track. [82] For "Tongue" critics praised Stipe's falsetto, Paul Evans of Rolling Stone felt that "Stipe's Chi-Lites falsetto is a revelation; elsewhere he declaims with clear authority. [ 83 ]
"This track just really got hold of me — took hold of me,” recalls director Jake Scott, who at age 27 was still trying to make "that one video when you knock it out of the park."
"The One I Love" is a song by American alternative rock band R.E.M. It was released on the band's fifth full-length studio album, Document, and also as a 7" vinyl single in 1987.
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
In the liner notes to the band's compilation album In Time: The Best of R.E.M. 1988–2003, Buck stated the song was intended as a "sick tribute" to songwriter Jimmy Webb, citing the use of six-string bass guitar and the song's "semi-rococo chord changes" as examples of Webb's influence. [13]