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The architecture of Norway has evolved in response to changing economic conditions, technological advances, demographic fluctuations and cultural shifts. While outside architectural influences are apparent in much of Norwegian architecture, they have often been adapted to meet Norwegian climatic conditions, including: harsh winters, high winds and, in coastal areas, salt spray.
This house included "an elaborate double envelope" with a 2-foot-deep air space conditioned by a separate system from the house itself. The object was to maintain high humidity levels inside. [2] One of the first modern examples to be constructed was the Occidental Chemical Building (Niagara Falls, New York, 1980) by Cannon Design. [3]
House [2] [3] Alajärvi: For his parents 1918–1919 [nb 1] Church and belfry [3] Kauhajärvi: Two separate plans were created with the first being the belfry alone and the second the entire church. The second was not utilized. [4] 1919: Shop renovation [1] Alajärvi: Since demolished 1919: Hoisko shop renovation [1] Alajärvi: Not carried out ...
The first so-called "double cross plan" in Finland was probably the Ulrika Eleonora church in Hamina (1731, burnt down 1742), built under the direction of master builder Henrik Schultz. It was then replaced by a somewhat similar church, the Church of Elisabet in Hamina (1748–51, destroyed 1821), built under the direction of Arvi Junkkarinen ...
Nordic cross/Scandinavian cross The cross design represents Christianity, and the characteristic shift of the center to the hoist side is early modern, first described as the Danish civil ensign (Koffardiflaget) for merchant ships in a regulation of 11 June 1748, which specified the shift of the cross center towards the hoist as "the two first ...
The main room of the house was known as the skáli, consisting of a central open hearth and two raised platforms, known as set. Similar designs of longhouse have been found across Scandinavia, the Faroes and the Scottish isles, as well as Greenland. [3] There are many benefits and functionality to the turf houses.
As time progressed the design became much more like that of a church with staggered and multi-layer roofs. The entrance to the ritual houses had ornamental designs. Rituals were completed outside the structure as it often involved burning and sacrifice of animals; due to this, the Vikings developed the outside of the houses to be ornamental ...
The Brooklyn Museum's 1954 "Design in Scandinavia" exhibition launched "Scandinavian Modern" furniture on the American market. [1]Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
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