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Modern sequence dancing has a repeat of the steps at every sixteenth bar, typically going on for five or six sequences in all. Specially performed sequence dance music in strict tempo is usually needed, although some 'ordinary' music may suffice provided it is played in 16 bar sections or sequences throughout.
It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.) In dance descriptions the term walk is usually applied when two or more steps are taken in the same ...
The steps of a dance or pattern may be listed in a step sheet. Dance patterns may be described by difficulty. [7] Dance patterns may be described according to combinations of quick and slow steps and often by the rhythm or meter of the music, for example waltz steps (three-count step patterns danced to waltz music), swing steps (four-count ...
A step sequence is a required element in all four disciplines of figure skating, men's single skating, women's single skating, pair skating, and ice dance. [1] Step sequences have been defined as "steps and turns in a pattern on the ice". [ 1 ]
The New Vogue dance style is an Australian form of sequence dancing that originated in the 1930s. Since then it has become an important part in the Australian and New Zealand ballroom scene, holding as much importance in social and competition dancing as Latin or International Standard dances.
While the dance probably came from the "star" or challenge dances that were all part of the African-American dance called Juba, the particular sequence of steps which appeared in Runnin' Wild were probably newly devised for popular appeal. [2] "At first, the step started off with a simple twisting of the feet, to rhythm in a lazy sort of way.
Much of the dance is done as a walking movement, one step for each count of the music, while the arms and hands do most of the changing, most of these involving connecting with others' hands. Most contra dances consist of a sequence of about six to twelve individual figures, prompted by the caller in time to the music as the figures are danced.
The 6-step. The 6-step is foundational to b-boying not only because it is the first footwork sequence breakers often learn, but also because it remains the move around which many sets are structured. Many break moves can begin from the 6-step. The move sets up the direction of rotation and builds momentum while imparting body control. The ...